<![CDATA[Jalopnik: vanity fair]]> http://tags.jalopnik.com/assets/base/img/thumbs140x140/jalopnik.com.png <![CDATA[Jalopnik: vanity fair]]> http://jalopnik.com/tag/vanityfair http://jalopnik.com/tag/vanityfair <![CDATA[My Name Is Ram, I Am A Huge Closet Case]]> My name is Ram. I am a huge closet case. [VanityFair]

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<![CDATA[How To Advertise A Luxury Car In Middle Of A Global Recession]]> Lexus, Mercedes, Rolls–Royce, whoever else is in the luxury business these days: take note of this Duesenberg ad from the June 1935 issue of Vanity Fair.

Also remarkable as an exercise in absolutely not fucking around at all. Then again, the same could be said of Duesenberg cars themselves, both in prices and qualities of build.

And sheer noise!

Hat tip to Marton Bede.

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<![CDATA[A Boat Load of Lamborghini Miura]]> To share with you the fruits of a collaboration between Jalopnik and Vanity Fair’s gay car blog Stick Shift, here’s a mega-gallery of a gorgeous red 1967 Miura P400.

Jalopnik and Stick Shift are certainly no aliens to each other. Earlier this year, our Messrs. Wert and Siler gave a helping hand to Stick Shift’s Brett Berk in driving the bollocks Bentley Continental GT Speed, all twelve cylinders and six hundred horsepower of it.

To keep our cylinder counts steady, Brett, Hyperleggera’s Natalie Polgar and I drove out to Long Island on a recent August day to see a Lamborghini Miura in its full glory. William Branston of Champion Motor Sports was kind enough to let us all climb inside and imagine a life of 60s Italian playboyship.

Sticking true to its print roots, VF could only publish a handful of the photographs Natalie and I took of the Miura. But here at Jalopnik, we’ve got internets aplenty, so lean back and enjoy all twenty shots that made the cut, plus the narrative accompanying each shot.

If you’re interested in what it feels like to sit inside a Miura—or how one ends up with a classmate who drives a Countach to his senior prom—click through to Vanity Fair. But only after you’re done with the photos.


The Miura could be a prime candidate for a star role in the Italian remake of Transformers.


Rear quarter panels. Oh my, oh my.


Looking down the transversely mounted V12.


The P400 was the first Miura, the one with the eyelashes, the tendency to catch fire at idle and to become airborne in top gear.


This is the vicinity of the left front wheel. You can see the Fiamm horn and the chassis elements, drilled for lightness.


A view through a cooling vent in the trunklid—which, of course, is in the front.


The supremely competent Will Branston, director of Champion Motor Sports’s Collectible & Investment Car Division, is standing in front of a late model Diablo.


Cam cover with the famous twin choke Weber carburators.


Oil reservoir.


If you have a tattoo of this, please post in the comments.


About six inches behind the head of the driver and the passenger is the engine. That single pane of Perspex is tasked with quite a lot of sound and heat deadening.


If you’re 5'7" like Natalie, a Miura’s cockpit is the coziest place in the world.


Please dress up for your Miura. Thank you.


Yes, the speedo really is maxed out at 200 MPH. The Miura would do around 175.


The patina on this car was particularly beautiful. Concourse quality can be alienating: this Miura could probably be driven off the lot without guilt.


Vintage and very cool seatbelt arrangement. It’s a big metal hook you latch into a receptacle.


The eyelashes serve as brake cooling ducts. They would be gone in later editions of the Miura.


A curious tailpipe solution, most often seen on diesels with no particulate filters.


Perhaps the best angle to the Miura. You simply cannot spend too much time studying its lines and surfaces.


One day, we will be back to listen to it idle…to ride in it…to drive it. One step at a time.

All photos by Natalie Polgar and Peter Orosz.


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<![CDATA[Jalopnik Lends Gay Car Blog Helping Hand…With Bentley Continental GT Speed Review]]> When Brett Berk from Vanity Fair's Stick Shift offers to pick us up in a 600 HP Bentley Continental GT Speed, Ray and I will pretty much do whatever he wants. Except that. [Stick Shift]

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<![CDATA[Jaguar XJS-C, The Car For Small Town Closeted Gay Voyeurs]]> We're really starting to like Stick Shift, Vanity Fair's weekly gay car blog. It explains to us the intricacies and variations of the gay psyche in a language we can understand: cars. Take, for instance, that really nice middle-aged guy who runs the local antiques shop. He's always inviting you and your teenage friends over to get high and he lives alone in a big old house that he can't quite afford to keep up. Which is kind of like his car: An old Jaguar XJS convertible. It's got tears in the top, the motor that raises it blew out years ago and the interior smells like mold mixed with Calvin Klein Obsession. He thinks it makes him look like the kind of upper class English man that calls himself The Major, when in reality it makes him look like someone living a lifestyle they can't quite manage. Everyone knows a disaster is looming (in the car's case, it'll require a new engine; in The Major's, an out-of-state move) except for the eternally optimistic owner. [Stick Shift]

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<![CDATA[Vanity Fair Introduces "Stick Shift: The Gay Car Blog"]]> New to the annals of automotive blogging comes "Stick Shift," a weekly column at Vanity Fair's online world dedicated to the unique needs of gay car enthusiasts. Lest you think the subject matter will consist solely of New Beetles and Miatas, writer Brett Berk assures us he's a genuine Motor City native intent on moving away from the cliche and exploring the bigger car questions still unresolved for the LBGT community.

You know, like:

"we'll focus on the obscure and the ambiguous: cars that emit the subtle semiotic signals that register on my GayCarDar. In addition to ID-ing individual Homotivators, we'll run comparison features ("Which Car is Gayer"), perform outings ("Closet Case Cars") or answer burning questions ("How Do Gay Guys Keep Their Cars So Clean?"). And while we will, by necessity, trade in stereotypes, we wish to remind readers that it's all meant in fun."
His words folks, not ours...not that there's anything wrong with them. [Vanity Fair]]]>
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