<![CDATA[Jalopnik: retro cars]]> http://tags.jalopnik.com/assets/base/img/thumbs140x140/jalopnik.com.png <![CDATA[Jalopnik: retro cars]]> http://jalopnik.com/tag/retrocars http://jalopnik.com/tag/retrocars <![CDATA[Lamborghini, The Early Years: An Exclusive Gallery]]> In 1969, barely six years after its founding, a young Hungarian engineering student found himself at the Lamborghini factory. Presented here for the first time are his photographs of Miuras, Espadas and huge V12’s.

József Erdősi was an exchange student at the University of Bologna, following in the footsteps of Dante Alighieri and Nicolaus Copernicus. Unlike the millennium-old university’s famous earlier alumni, he was not studying to be a poet or an astronomer: József’s future lay in agricultural engineering. He spent some of his practice time at Lamborghini Trattori, the tractormaking giant founded in post-war Italy by the man who would go on to give Enzo Ferrari bad dreams.

Through the right connections with the right people, József was allowed to transfer for a few weeks to Lamborghini’s other factory—Automobili Lamborghini—in the village of Sant’Agata Bolognese, a hamlet in Emilia-Romagna province between Bologna and Modena. It was here that Ferruccio Lamborghini had founded his sports car manufacture in 1963 to take on Ferrari in neighboring Maranello.

As an engineering student, József spent his days in the brake and engine assembly areas. He was also granted access to the room where Miuras received their scheduled maintenance.

It was not all work and no play for Mr. Erdősi. One day, an enigmatic question came his way about his cardiovascular health. Upon replying in the positive, he found out what it was all about. The young future engineer was about to receive a ride in the fastest road car of its day: a Lamborghini Miura.

“The seat was extremely low. I buckled up with a four-point racing harness. Then, as we rolled out of the factory, the test driver floored it. It was unlike anything I’d ever experienced. He switched to second gear at 90 MPH, third gear at 125 MPH, fourth at 140 MPH and went all the way to fifth gear at an astonishing 160 MPH,” he recalled in a recent conversation. “A field then approached at great speed. I was bracing myself for the inevitable ride through rows of corn when the driver flicked the wheel and took a corner at an unlikely speed. This went on for another forty minutes.”

By József’s recollections, the test driver he rode with that day had been the racing mechanic for Lorenzo Bandini—Ferrari’s Formula One and sports car driver—until Bandini’s fiery demise at the 1967 Monaco Grand Prix.

An avid photographer, József took a number of pictures on black and white Ilford film. His photos offer a unique glimpse into a nascent Lamborghini factory in its 60s heydays. Four years later, Ferruccio Lamborghini would be gone as the factory’s owner and car manufacturers everywhere would be face to face with the incompatibility of monster V12’s with the 1973 oil crisis.

Lamborghini would survive this all in the coming decades until it came to rest as a subsidiary of a German giant, producing fabulous modern cars in a brand-new Audi-built factory on the same spot.

The Miura production line in all its high-tech 1969 glory.

Photo Credit: József Erdősi


Parallel to the Miura was built the four-seater Espada, both Marcello Gandini designs using the same 4-liter Giotto Bizzarrini V12 engine.

Photo Credit: József Erdősi


Another shot of the Espada line shows a distinct Espada feature: the huge pane of glass on the rear hatch.

Photo Credit: József Erdősi


This is a Miura S in for regular checkup. It had been shipped to Italy from California.

Photo Credit: József Erdősi


A Miura being serviced, with the engine cover taken clear off.

Photo Credit: József Erdősi


A finished Espada with old-school Italian license plates. In the background, you can see the open door of a Miura, which, when viewed from front, resembles a bull’s horn.

Photo Credit: József Erdősi


A Lamborghini V12 engine on the test bench, with twelve polished velocity trumpets capping its Webers.

Photo Credit: József Erdősi


Another shot of the V12 in the test chamber.

Photo Credit: József Erdősi


This is a complete engine-transmission assembly. You can see from its longitudinal setup that it’s meant for the Espada: in the Miura, the same engine is mounted transversely behind the cabin.

Photo Credit: József Erdősi


A Miura stripped down to the bare chassis as it is being serviced. For the sake of everyday usability, the velocity trumpets are replaced with common air boxes.

Photo Credit: József Erdősi


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<![CDATA[The Nissan Figaro Treads Fine Line Between Retro and Cool]]> Nissans as pacifiers, Nissans as stop motion actors. Let’s now turn to a weird little JDM Nissan peppering the streets of London: the Figaro.

I have to admit I had no idea what I was looking at when I first saw a Nissan Figaro. In Emerald Green, to be specific, as opposed to Pale Aqua, Lapis Gray or, rarest of them all, Topaz Mist. London car expert Máté was there to patch the gap in my brain so I can now tell you about this cute little button of a car.

It was built in very limited numbers on a Micra platform for Japanese domestic use. Nissan only planned a production run of 8,000 which was bumped to 20,000 to meet demand. Rather like when Ferrari decided to make an extra 50 Enzos—then one more for the Pope—to round the original run of 349 up to a nice and even 400.

The Figaro is like those tiny Japanese cars from the 60s, from back when the Japanese were still scrappy upstarts when it came to producing cars, and when companies like Honda were more knows for motorcycles (and Formula One racing cars). Cars that used engines more commonly utilized in dialysis pumps or pacemakers. Like the Honda S600’s exquisite 0.6-liter inline four—with DOHC and four carbs. Except, of course, the Figaro is a modern car.

Compared to its spiritual predecessors, the Figaro runs a big block. Its turbocharged one-liter MA10ET makes 75 HP which sounds infinitesimal until you consider that it has but 1,800 pounds of car to propel. Imagine a car whose power-to-weight ratio improves by 10 percent if a corpulent driver disembarks.

What makes the Figaro so popular in London is of course the fact that all of them were built right-hand-drive. Given that the whole production run was twenty thousand, you bump into them surprisingly often. And their only saving grace is that they are much older than you’d think: the Figaro was introduced 20 years ago at the 1989 Tokyo Motor Show.

It’s almost retro by its own right. Almost.

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<![CDATA[Remember That One Time Peter Built A Time Machine Out Of A DMC-12?]]>

Yeah — we remember that too. Like Peter, we never realized people back in 1955 were always on fire. The only reason we were able to find that particular reference amusing was because of the DeLorean DMC-12. And because the first of the gull-wing door cars came off of the assembly line at the DMC factory in Dunmurry, Northern Ireland 26 years ago this week — we also found the clip timely.

Related:
More DeLorean Papers Find Their Way to eBay [internal]

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