<![CDATA[Jalopnik: Chris Burden]]> http://cache.gawker.com/assets/base/img/thumbs140x140/jalopnik.com.png <![CDATA[Jalopnik: Chris Burden]]> http://jalopnik.com/tag/chris burden http://jalopnik.com/tag/chris burden <![CDATA[ Performance Art and the Automobile: 100mpg, 100mph, Chris Burden Was a Greenie and a Hoon ]]> Burden_BCar.jpgOn Monday, we flashed back to the early 1970s and madman artist/seminal art hoon Chris Burden, who had himself nailed to a VW Bug. At the time, we promised more on Crazy Chris, who has in the intervening years graduated to a rather exalted position in the art world (many commenters in the first post pointed to other Burden works). Unfortunately, we had some technical difficulties yesterday which delayed us a bit. Anyway, not long after Burden's adventure with the nails and the Beetle, the artist once again proved himself to be a true California boy and a proto-greenie as well as a hoon with a conscience, creating a piece of art that was all about driving as an esthetic statement.

It was 1975. American had recently been wrung out by OPEC and gas lines. Subcompact imports were beginning to make a dent. All manner of alterna-transport was being explored, even as the nation finally extracted itself for good from The Nam.

Burden undertook work on a handmade, one-person hybrid of bicycle, automobile, and airplane. In his own words:

I set the goal of completing the car for two shows in Europe. I saw building the car as a means toward the end of driving it between galleries in Amsterdam and Paris as a performance. When I arrived in Amsterdam, I knew that the accomplishment of constructing the car had become for me the essential experience. I had already realized the most elaborate fantasy of my life. Driving the car as a performance was not important after the ordeal of bringing it into existence.

"...the most elaborate fantasy of my life." Artists in the 20th century had an intense relationship with the automobile, but probably none moreso than Burden. The ultimate installation, titled "B-Car," was exhibited in April of 1977. According to Burden, there were 120 design drawing included in the show. We'll see what we can do to track some down.

In the meantime, look forward to our next installment, when we recall Ed Ruscha, a speeding Buick, and a typewriter.

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Jalopnik-361493 Wed, 27 Feb 2008 17:15:00 EST Matthew DeBord http://jalopnik.com/index.php?op=postcommentfeed&postId=361493&view=rss&microfeed=true
<![CDATA[ Performance Art and the Automobile: Chris Burden Crucifed on Beetle, 1974 ]]> Burden_VW.jpgChris Burden has achieved an elder-statesman status in the art world—his latest installation, "Urban Light," graces the plaza of the new Broad Contemporary Museum at the Los Angeles County Museum of Art. But back in the day, he was a wildman, a freak, fucking dangerous—nothing less than an art hoon. A performance art pioneer who in 1974 had himself crucified to the back of VW Beetle.

It was late April. The setting was a garage in Venice, CA, at a time when Venice was a funky sunsplashed beachside shithole full of losers and freaks and drunks and stoners and artists. A shirtless Burden—only three years removed from being shot in the arm with an actual bullet ("Shoot"), and less than a year after a self-imposed near-electrocution ("Doorway to Heaven")—lays across the back of the Bug and has his palms nailed to the sheet metal. Ouchie! The car is pushed out of the garage and the engine is run full-out for precisely two minutes. Photos are snapped. Urban legend says Burden is driven around like this, but the story is disputed and besides, there's no way the nails would have held.

The Beetle is lost to time. Burden, on the other hand, is world famous. The performance is labeled "Trans Fixed."

Tomorrow, check back when we tell the tale of Burden's 100mpg auto-bike, created in 1977. This boy had a thing for cars!

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Jalopnik-360541 Mon, 25 Feb 2008 16:30:00 EST Matthew DeBord http://jalopnik.com/index.php?op=postcommentfeed&postId=360541&view=rss&microfeed=true