The lengthy tracking shot showing vast quantities of old European cars in Week End was pretty cool, but when you use the words "lengthy tracking shot" and "cars" together in a sentence, you've got no choice but to bring up the opening shot in Orson Welles' 1958 Touch Of Evil. A 1956 Chrysler New Yorker convertible is the ill-fated star of this sequence, but we're pretty sure- well, we hope- a beater stunt double was used for the last bit.